Thursday, March 9, 2017

What Not To Do When You Hate Your Husband

It is almost impossible for a story set in the American South to be told without incorporating religious themes, given that Christianity in particular is so culturally vital in those areas, and As I Lay Dying is no different. Religious aspects pop up all over the book and are necessary to understand plot points, characters, and their significance.
One the first perspectives we get in the novel is Cora’s voice, which is interesting simply because she isn’t part of the Bundren family. One thing she does do well, however, is give her subjective, religiously-influenced, and often incorrect opinions about things. We don’t necessarily know she’s unreliable until later in the novel, but she does introduce her religious views very early on. In particular when she describes how Darl looked in on Addie laying in her bed, saying “He just looked at her, and I felt the bounteous love of the Lord and His mercy.” She likes Darl, and so her first instinct is to compare him to God. Contrarily, later in the novel, in a flashback where Cora speaks to Addie, Cora says “There is your sin. And your punishment too. Jewel is your punishment.” This line his hilariously ironic because Cora is simultaneously so right, but for all the wrong reasons. Jewel is the literal physical manifestation of Addie’s sin, but not because Addie loves him so much, as Cora thinks. Rather, Jewel represents sin because he was conceived through sin, and he is also Addie’s punishment because she has to see him and be reminded every day.
Along the lines of Addie’s views on religion, Addie’s chapter itself is full of religious ideologies. The fact that Addie has an affair with Whitfield, the preacher, has so many religious implications, but one of the most interesting being the way Addie further explicates her views on sin. She explains that, to her, sin is just a word, the same as love, and we can infer that her views on God are similar- that she thinks God is a person or concept with no substance. However she then says “the sin the more utter and terrible since he was the instrument ordained by God who created the sin, to sanctify that sin He had created.” This comment basically negates what she said earlier about how sin and God weren’t really real things (but hey, who said this book had to make sense). She also goes on to say “I would think of him as dressed in sin. I would think of him as thinking of me as dressed also in sin, he the more beautiful since the garment which he had exchanged for sin was sanctified.” Basically Addie says she finds him attractive because they’re sinning, and also because they’re double sinning because he’s a priest, which is very weird but also not that weird. She ends her chapter by saying (referring to Cora) “She prayed for me because she believed I was blind to sin, wanting me to kneel and pray too, because people to whom sin is just a matter of words, to them salvation is just words too.” To me, at least, I thought this revelation was pretty profound. In particular “sin is just a matter of words” struck me, because it emphasizes that, to Addie, sin is not a word, but both an action (her affair) and a person (Jewel). It also shows that Addie isn’t particularly penitent about her actions, and either doesn’t believe in salvation or doesn’t think it will ever be granted to her.
Overall religious themes are present in many scenes throughout the book, much more than I can touch on in a single blog post. Many of the characters are motivated by what they perceive to be a higher power and their own philosophies which are affected by their religious views. The novel functions primarily because of a few strings that connect all of the events, and I think understanding the religious aspects of the story is crucial for gaining a deeper understanding of the novel.

6 comments:

  1. I too was struck by "because people to whom sin is just a matter of words, to them salvation is just words too." As you said, the sin was an action and the manifestation was a person and how can you pay pennance for creating a person? And if Jewel is inherently sin, why should he have to pay the price for what his mother did?

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  2. I thought that As I Lay Dying took a very negative view on Christianity. Whitfield's chapter is filled with comedy that doesn't cast him in a very good light, and Cora, the a very religious woman, is wrong more than she is right. It is almost as if Religion is treated as some sort of joke.

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  3. "Very weird but not that weird" is a pretty accurate way to describe the fiasco that is the Bundren family. Between Addie's a-conventional perspective on sin, Anse's lack of complex thought, Darl's telepathy and suspect pyromania, (and lets not even talk about Vardaman) this whole situation is a mess. However, I do think that it's interesting that Cora is also a flawed character in this novel, because it shows a critique of Southern country people instead of just focusing on the peculiarity of the Bundrens. I think this critique is definitely best witnessed through the characters various philosophies on life (consider Anse's whole road spiel). Nice post!

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  4. I also thought the portrayal of religion in the novel was really interesting. It seemed to fuel a lot of the different views that characters had on events or other characters. I feel like Faulkner is critiquing various philosophies on life, and maybe christianity as well.

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  5. I thought the funniest part was how Whitfield was going to go apologize to Anse before it was too late, but then he found out that Addie was dead and decided that he didn't need to anymore. He was trying to do the "right thing" but then he changed his mind and thought that it was enough to just apologize to God. In my opinion this was Faulkner critiquing the wishy-washy-ness of religion.

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  6. Cora's line about Darl as "touched by God" is interesting to revisit in light of the end of Darl's story arc, where his "touched" qualities, his "queerness," is finally deemed dangerously and even criminally insane. She wouldn't blaspheme to the point of actually comparing him to God, but the reader knows there IS something "God-like" in the way he's able to narrate scenes at which he wasn't present, or to know things that no one has told him. This doesn't mean Cora is "right"--and who knows what *she* means by "touched by God," although it does seem to refer to what everyone else describes as his "queerness." But there is a sense in which Faulkner seems to agree with her in his characterization of Darl.

    I wonder what she'll say when she learns that Darl is in Jackson?

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